The real demon in Bad Hair the normative standard of white beauty. When you scream, whether you realize it or not, you’re screaming at the horrors of white supremacy.The real demon in Bad Hair is the normative standard of white beauty. When you scream, whether you realize it or not, you’re screaming at the horrors of white supremacy.
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Uncut Gems is electric,If you can tap into it quickly, you can ride the current right up until it arcs off the screen and into your skull, at which point you can either let it continue through your body warming your every cell or you can switch off and just wait for it to end.
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Ford v Ferarri is a story of how a team of underdog idealists prevailed working within the stifling climate of an immense corporation. It’s a story about what it costs an idealist to work within an institution.
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Marielle Heller has previously made movies about thoroughly unlikeable people and dared audiences to sympathize with them. Here, she dares us to believe kindness of this sort is possible.
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A common trope of faith and film writing is that the cinema is a “sacred space.” In Martin Scorsese’s The Irishman, the theater becomes a confessional.
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Robert Eggers is back with The Lighthouse, another unsettling time warp into the dark recesses of American folklore.
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Downton Abbey bets mightily on your existing affiliation with the characters and world. This allows it to get down to business in that pragmatic way that is typical of the Crawleys and their household staff and to indulge in the refined panache they, and we, have come to expect from the estate.
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