Saint Nicholas: The Real Story

Saint Nicholas: The Real Story isn’t the kind of film you are going to happen across accidentally. It is independently produced to the fullest extent – the work of passionate filmmakers, Fuller alumna Martha Kimsey Bennett and her husband Stuart Lachlan Bennett, inspired by something new and wonderful they encountered, and eager to share that inspiration with others. Yes, it’s about the jolly man with the long white beard we look for on Christmas Eve, but more, it’s about a man most of us do not know at all, a brother in Christ who lived hundreds of years ago whose life is a model for the kinds of people we ought to be today. Actually, the film is about two men, both named Nicholas, who’s identities have become intertwined by time into the figure we know as Santa Claus.

Ostensibly a documentary in the travelogue format, Saint Nicholas: The Real Story follows historian Dr. Mark Wilson around the Mediterranean as he visits the places the two Nicholases lived and talks with other historians and scholars who have devoted their lives to disentangling the two saints and celebrating both of them. This fleet documentary (~55 minutes) doesn’t seek to “reclaim” Santa Claus from a secular culture. Notably, the scholars, Wilson, and his filmmaking team aren’t anti-Claus, partially because they know any publicity is good publicity, but more because they are glad the world embraces the man. They are just working to make him better known.

In moments, a curious cinematic poetry emerges amongst the film’s historical lesson, as if all of this “real story” about St. Nick is a kind of window onto a deeper truth about the world at large – we have forgotten the truth about St. Nicholas, but that truth remains true, buried beneath hundreds of years of pop-cultural accumulation but resilient and eager to be seen if we’d only look.

In my favorite moment in the film, Wilson stands on the shore of Lake Iznik near the site of Constantine’s former palace talking about Nicholas’ activities during the Council of Nicaea. Then the camera lifts off from the ground and soars over the azure waters revealing the submerged foundation of a cathedral. Santa Claus may be, for some, a symbol of worst of consumerism, but elevating ourselves above a combative relationship with the world, we discover the righteous foundations undergirding everything. The image of St. Nicholas may be used to sell soda pop, but he once gave his life to help craft the Nicene Creed. If that has been forgotten, it’s because we Christians have turned our backs on the world we when should have been serving it, like Nicholas, instead.

Near the end of the film, the filmmakers visit Dr. Caroline Wilkinson, a world-renowned facial anthropologist, and watch as she digitally reconstructs Nicholas’ face in three dimensions for the first time in history. What she crafts is both familiar to those of us who grew up watching Rudolph the Red-Nosed Reindeer and yet new – a man of Greek-descent, olive-skinned and ruddy-cheeked, with a long white beard and a bulbous nose broken perhaps by the fist of a soldier who struck him because he was a Christian. This new face represents both the real man and our myths about him, a reminder that both can be true. I know the face is computer generated, but as I watched it hover there on screen, I could have sworn I saw a twinkle in its eye.

You can order Saint Nicholas: The Real Story from Vision Video. If you are one of our Russian or Ukrainian readers, the film will air on television this Christmas.