True/false has since become an especially treasured ritual for me, a touchstone of my year in film, every year.
+ MoreBatman & Robin’s shares a thematic concern with this new LEGO Batman movie everyone loves – Batman needs a family. Furthermore, Batman & Robin and The LEGO Batman Movie share a key referent too – 1966’s Batman: The Movie
+ MoreThe Lego Batman Movie is not without meaning. Batman demands to work alone, resisting every possibility of friendship and family.
+ MoreIn our present moment, faith has come to be seen by many as residing primarily in the intellect, leading to belief that is conceptual and private. Faith worked out through the will, in the public sphere, tends to lead to uncomfortable choices.
+ More“Walking together” is what this list most clearly represents. It’s a symbol of the faith and film-loving community of filmmakers and film scholars who are gathered under the banner of Reel Spirituality, each in their own way. We are trying to make beautiful films, to celebrate beautiful films, and to encourage others to do the same.
+ MoreThe Top Ten Films of 2016 individual lists of each of our community members.
+ MoreView and download a sample chapter from the book.
+ MorePerson to Person is casual but not lazy, sentimental but not sappy. Even with its assumed 1970s look and feel, it feels genuine.
+ MoreWe were honored to be joined by legendary filmmaker Martin Scorsese for a conversation about his challenging, masterful film, Silence.
+ MoreWhose Streets? focuses solely on the point of view of the protestors and activists in Ferguson. The film isn’t balanced. But it doesn’t need to be. The other side of the conflict has uncontested access to the media.
+ MoreCrown Heights is certainly timely, as it focused on the ways the system is bent against Black men like Warner. It’s infuriating to watch injustice be done to Warner time and time again.
+ MoreThe New Radicals suggests that we have much reason to be concerned about the direction our world is heading. Maybe the film is right. After all, the idea of printable guns is rather scary when you remember that public libraries are installing 3D printers in some US cities.
+ MoreMaybe Burning Sands is so true to the culture of its setting, a culture I am foreign too, I was unable to understand everything that was going on in this movie.
+ MoreI suppose due credit must be given to the film’s writer/director Alex Ross Perry. It’s his direction that coalesces all these elements into such a wistful, resigned film.
+ MoreHidden Figures is a balm in troubled times, when we seem more eager to enfranchise and empower bigotry than we are to build a just and civil society. Hidden Figures is encouraging.
+ MoreSamantha and Elliot’s need is to love their life for what it is. Romantically, they have to stop pursuing some fake, ideal person they’ve created in their minds, and love the person they’re with instead.
+ MoreWalking Out isn’t polished. It’s as rugged as its landscape. The filmmakers shot the film in the real snow and mountains in Montana. These shooting conditions are the kind that Oscar campaigns are built around, but this isn’t award’s bait. It’s an independent film.
+ MoreWatching movies like this, often, though not always, from Europe, always urban-set, I wonder if there really are people like this out there. I’ve known some hard partiers fond of consciousness-perturbing substances, and while they’re lives are in disarray, they’re never quite the nuclear holocaust Mifti’s life is.
+ MoreAt one point, an otaku says explicitly that idol culture is more than a fad – “It’s a religion,” he exclaims. For devotees like him, there is indeed religious aspects to his idol worship.
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