Brehm Film brings together filmmakers and film-viewers, Christian leaders and laity, scholars and students for dialogue between our culture's primary stories and the Christian faith.
Brehm Film brings together filmmakers and film-viewers, Christian leaders and laity, scholars and students for dialogue between our culture's primary stories and the Christian faith.
Brehm Film brings together filmmakers and film-viewers, Christian leaders and laity, scholars and students for dialogue between our culture's primary stories and the Christian faith.
Latest Review
The original cartoon, Chip ’n Dale Rescue Rangers, was itself a reboot/reimagining of a couple of classic Disney characters. Why not do it again?
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Minari | A Conversation with Lee Isaac Chung and Harry Yoon
Director Lee Isaac Chung and Editor Harry Yoon speak with filmmaker Eugene Suen about the making of the award winning film Minari
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City So Real | A Conversation with Steve James
Fuller Professor of Theology and Culture, Kutter Callaway spoke with Director Steve James about his five-part docuseries, City So Real
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Chip ’n Dale: Rescue Rangers
The original cartoon, Chip ’n Dale Rescue Rangers, was itself a reboot/reimagining of a couple of classic Disney characters. Why not do it again?
+ ListenRecent Reviews
Doctor Strange in the Multiverse of Madness
Doctor Strange in the Multiverse of Madness is another variation on the multiverse concept echoing through our blockbusters of late.
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The Northman
We see what we have the eyes of faith to see. The Northman lets us see with viking eyes for a couple of hours. I see, and I shudder.
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Everything Everywhere All at Once
Everything Everywhere All at Once asks a question that is easy for us to answer: What is the meaning of life?
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This is Oslo; This is Gotham
The Worst Person in the World and The Batman cry for new narratives, for new ways of reaching maturity that don’t depend on childrearing and violence.
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Wine and War
Wine and War offers a glimpse into a kind of counter-narrative to cycles of violence, one in which beauty is borne out of pain, and transcendence is born out of depravity.
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Licorice Pizza
Licorice Pizza is like a trip to a record store. It’s a great hangout movie, awash in music and shining with all the adolescent feelings pop music so perfectly captures.
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Spider-Man: No Way Home
In Spider-Man: No Way Home, Peter Parker is given the gift of layered experience due to a rift in the space-time continuum. It’s fun for fans who have watched all the Spider-Man movies made since 2001. It is enlightening for Peter.
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Nightmare Alley
Nightmare Alley is merciless. It’s a lot like the “geek show” we see near the beginning of the film in which a man bites the head off a live chicken.
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West Side Story
The primary point of view in West Side Story is that of a wrecking ball, like the inverse of below-the-water shots that begin Jaws. Death is coming, this time from above.
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House of Gucci
Most acting is so good we don’t notice it. We accept the characters as real and forget they are being performed by actors making choices. House of Gucci doesn’t let us do that.
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Kurt Vonnegut: Unstuck in Time
The film is a celebration of Vonnegut on multiple levels: as a novelist, writer, and public intellectual, but also as a friend, a father, humorist, aficionado of life, and finally a loved one.
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tick, tick… BOOM!
There is something inherently, necessarily myopic about the creative process where an artist has to focus on their unique work to such a degree that it’s easy to lose sight of the web of loving relationships that surround and support them.
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Dune: Part One
Dune: Part One is an inherently ecological tale. It’s about the preeminence of the natural world in the workings of our governments, economies, and religions.
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The Last Duel
The Last Duel isn’t a subtle film. Ridley Scott’s latest is a medieval #MeToo movie with a dash of Rashomon.
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The French Dispatch
In the beginning was the word in The French Dispatch, Wes Anderson’s long release-delayed ode to the literary magazine ideal.
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The Rescue
The Rescue allows us to catch a glimpse of what true heroism looks like.
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No Time To Die
No Time to Die is an admirable farewell for Daniel Craig’s take on Bond. The movie is maybe a little long, but it’s long in the way that a dinner with friends stretches into the evening when you don’t really want it to end.
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The Alpinist
Leclerc invokes the theological language of awe, the feeling of absolute dependence, as he seeks the visceral awareness of “being so small in a world that’s so big.”
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In the Room with Paul Schrader
Paul Schrader, American filmmaker and screenwriter, and scholars from the Fuller community have an extended conversation on filmmaking, screenwriting tips, and the complex connections between spirituality and film
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FULLER studio is pleased to partner with Brehm Film for this series. The reviews, articles, and other content in this series is entirely the work of Brehm Film.