Brehm Film brings together filmmakers and film-viewers, Christian leaders and laity, scholars and students for dialogue between our culture's primary stories and the Christian faith.
Brehm Film brings together filmmakers and film-viewers, Christian leaders and laity, scholars and students for dialogue between our culture's primary stories and the Christian faith.
Brehm Film brings together filmmakers and film-viewers, Christian leaders and laity, scholars and students for dialogue between our culture's primary stories and the Christian faith.
Latest Review
Like Fremen on the back of a worm, Dune: Part Two’s storytellers ride the story and beckon the audience to do the same.
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Listen and subscribe to our new podcast produced in partnership with Christianity Today and Uncommon Voices. It is an exploration of fear, faith, and stories that scare the daylights out of us.
Latest Review
Dune: Part Two
Like Fremen on the back of a worm, Dune: Part Two’s storytellers ride the story and beckon the audience to do the same.
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Poor Things
Yorgos Lanthimos’ Poor Things parses the difference between morality, immorality, and amorality with a butter knife recently used to spread clotted cream on a scone. He doesn’t wipe it off first.
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Godzilla Minus One
Godzilla is scary in Godzilla Minus One, like, heart-racing, muscle-tensing scary.
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Sundance 2024
There are over a thousand film festivals in the U.S. alone each year, but Sundance is the one we keep returning to. Why?
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The Boy and the Heron
The Boy and the Heron is an old man’s film, thick with grievances, guided by questions, punctuated with answers that feel more like observations unrelated to the questions but somehow conciliatory nonetheless.
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May December
Maybe read this after watching the movie. I’m not going to reveal anything really, but May December is a film that was fun to experience fresh.
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The Holdovers
The Holdovers is a wonderful Christmas film. I predict it will become a regular holiday guest for many.
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The Killer
The tagline for David Fincher’s latest film, The Killer, reads “Execution is everything.” It’s as much about the style of the film as it is about the story it tells.
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PAW Patrol: The Mighty Movie
PAW Patrol: The Mighty Movie is kids’ stuff, of course, and it’s satisfactory fare of its kind.
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Killers of the Flower Moon
I think Killers of the Flower Moon is an indictment, but it might be a testimony.
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The Creator
Gareth Edwards much be some kind of wizard because, while he has only made special-effects driven, science-fiction films, he makes movies you can feel like you feel it when a jet airplane breaks the sound barrier over your house.
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The Nun II
Movies like The Nun II haunt viewers long after the credits roll is because, at least from their perspective, they’re tapping into something real.
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A Haunting in Venice
A Haunting in Venice is a great ghost story. It’s not as scary as its trailer would have you believe, though it doesn’t have its moments of spine-tingling terror.
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Oppenheimer
If the invention of the atomic bomb is the event that eventually razes humanity from existence, then Nolan’s film is a chronicle of the moment the lights went out.
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Indiana Jones and the Dial of Destiny
The Dial of Destiny is diverting enough. It’s the best version of an Indiana Jones knock-off, but it’s still a knock-off.
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“Asteroid City”
This is a film about a TV program (about a play?) about the production of a play about an extraterrestrial encounter in the desert somewhere west of the Rockies in the 1950s.
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Past Lives
Past Lives is one of those rare, apparently simple movies that turns out to be emotionally and thematically complex, and more so the more time you spend with it.
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FULLER studio is pleased to partner with Brehm Film for this series. The reviews, articles, and other content in this series is entirely the work of Brehm Film.